In conversation with media artist James Steven from the collective SPC, I curated an installation with CCTV cameras at Goldsmiths, University of London, in July 2013. This experiment complemented a panel discussion on video surveillance we organised at the International Visual Sociology Association (IVSA) annual conference ‘Public Image’. The aim was to raise awareness of the complexities of CCTV systems and to open up a debate beyond the discourse of power and control, which CCTV is usually associated with. Paper available as pre-print: (2017) CCTV oddity: Archaeology and aesthetics of video surveillance, Visual Studies, Routledge. DOI: 10.1080/1472586X.2017.1328988 →→→ SocArXiv pre-print @ Open Science Framework.
#OCTV consisted of six surveillance cameras streaming live from selected conference rooms to video displays positioned in each of the six rooms. Each camera feed was then linked to a webpage, made visible as a QR-code to scan, that is, as a composition of black and white pixels in the characteristic square shape. Any mobile phone was therefore able to connect to the ‘control room’ page, and then to switch to the desired camera.